The file man

I’VE MAINTAINED a file cabinet for decades. I find filing satisfying. When I left Houston, I culled wildly, keeping just the bare bones, which I packed over the Rio Bravo.

new-imageI bought a new file cabinet, resuming the habit.

I have insurance files (one for homes, one for cars), bank files (two banks), investment files, three house files (two here, one in Mexico City), receipt file, tourism file, health file, and many more.

But my favorite is the Miscellaneous File where I keep stuff that doesn’t belong elsewhere. Yesterday, killing time at home due to having a cold, I opened Miscellaneous.

It’s a trip down Memory Lane.

  1. Press passes with mug shots. One from my first job, New Orleans. I’m clean-shaven, 24 years old, in a dress shirt and tie. Another for the San Juan Star. I’m 30, My collar is open, and I have Fu Manchu mustache. The third, Houston Chronicle, age 39, shows me in a dress shirt and tie but with the full black beard of a Hells Angel.
  2. Expired passports. Two U.S. and one Mexican. The older U.S. passport shows me in eyeglasses. That’s a no-no now. Both Mexican and U.S. passports were renewed this year, likely for the last time. I’m not immortal.
  3. Air Force shoulder patch. It’s a large circle that says F-106 Dart. The Delta Dart was an interceptor aircraft, and I maintained survival-equipment pods in the ejection seats. Had I not screwed up so much of my youth, I would have been flying the F-106 instead.
  4. A bookmark. On textured blue paper and inscribed with a haiku of my father’s: cajun cabin/the aroma of hot gumbo/floats on the bayou. His name, dates, and the phrase American Haiku Master, which he was.
  5. Air Force discharge. Two versions. One suitable for framing, and the other with dates and mumbo-jumbo.
  6. new-imageA watercolor sketch. Of me, done by local artist Arturo Solis. He just walked over and handed it to me one day years ago while I was on the plaza enjoying a cafecito. We have a number of his works hanging on our walls.
  7. Drug formula. For committing suicide. You never know when it may come in handy. The Hemingway method is messy. Anyway, I don’t own a shotgun.
  8. Texas driver’s license. I arrived with it. It expired six years later, and I never renewed. My DL now is Mexican.
  9. Solo certificate. On the 28th day of June, 1976, I took off alone and returned to the New Orleans Lakefront Airport in a Cessna 152. Suitable for framing. I don’t fly anymore.
  10. A love note. From my wife on my birthday in 2003. We had been married almost 18 months.
  11. Final electric bill. Houston, dated Jan. 8-12, 2000. Amount: $86.02 for just four days 16 years ago. That’s approximately what I pay now in a year at the Hacienda.
  12. Certification card. International Bartending Institute. Dated May 7, 1982. I am a certified bartender. Whoopee!
  13. Flying license. I became a pilot of small planes on Oct. 26, 1976. The license never expires. You do have to renew your medical certificate, however. The last medical expired June 1, 1978. There’s also a radio permit in the envelope.
  14. Cremation certificate. My mother was cremated on Jan. 8, 2009, at Atlanta Crematory Inc. in Stone Mountain, Georgia. She had made it to age 90.
  15. Divorce papers. I had them in this file until fairly recently, but I tossed them into the trash. Two divorces. Two utterly miserable experiences that I’ll never repeat. I would prefer the Hemingway solution.

If you got all the way down here, you deserve a Gold Medal. I also have a Letters file.

Maybe I’ll spill that here some day. That’s where the love notes are stored. I love love letters.

Getting arty

WomanONE OF OUR favorite local artists, a man named Cordero, often sells his work Sundays in the main plaza downtown. We bought this piece yesterday, and I like it very much, the style, the colors, the theme.

It’s a woman indigenous to this area with the clothes they wear. Note the pleated skirt, a dead giveaway of her people.

She’s holding a collection of clay figures, the type often seen in these parts. The themes are wonderful, from demons to devils to old men sitting atop wagons or school buses.

The piece is leaning against a painted table in our living room, so you get an idea of its considerable size.

 

 

street

 

The woman is painted on wood. Cordero doesn’t seem too interested in canvas. Sometimes he paints watercolors, and the style is quite different. We have one of his watercolors, a local street scene, on paper hanging in the bedroom. That’s it to the left.

We’ll be dropping off the work at the top at a frame shop this afternoon. Getting things framed here costs a tiny fraction of what frame shops charge above the Rio Bravo.

It’s just one of millions of reasons why living in Mexico is superior to living in the United States these days, but let’s not rub that in right now.

We have two other works of Cordero, both painted on wood, in the Hacienda. One is a beautifully exotic rendition of a pink datura flower and its leaves. The other is a green jungle scene with two stone masks, the face of one is Cordero himself.

In Mexico, you don’t have to be a millionaire to buy original artwork. Being a cheapskate, I like that.